Pike River (2025)
Pike River is a quiet, harrowing memorial. A film that refuses spectacle and instead sits with the families’ grief. Anchored by Lynskey and Malcolm, it’s intimate, restrained, and devastating in its honesty, haunting you with what it withholds rather than what it shows.
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Eleanor the Great (2025)
Despite its uneven tone and ethical quandaries, Eleanor, the Great is a film that lingers. It presents a portrait of a woman who is flawed, funny, and heartbreakingly human. Squibb’s performance is the glue that holds it all together, infusing Eleanor with a vitality that makes her impossible to ignore. we rate it a touching 4 out of 5!
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A Big Bold Beautiful Journey (2025)
A Big Bold Beautiful Journey resembles less a sweeping romantic odyssey than a lightly sketched therapy session...For some viewers, particularly those drawn to gentle romances or imaginative premises, the film will offer pleasures. But for many, it will feel like a missed opportunity. We rate it a serviceable 3 out of 5.
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Weapons (2025)
Weapons is a film that deserves recognition for its ambition and its ability to sustain suspense. It is refreshing to see a horror-mystery that withholds rather than overexplains, that chooses mood over spectacle...It is a film that lingers, unsettling in ways that straightforward horror rarely achieves. We rate it a top-tier 5 out of 5!
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Demon Slayer: Kimetsu no Yaiba - Infinity Castle (2025)
Demon Slayer: Kimetsu No Yaiba – Infinity Castle is both exhausting and exhilarating. It delivers over two hours of beautifully rendered combat, intertwined with tragic histories that aim for the heart. It is easy enough to follow for newcomers, though the deeper emotional resonance requires the investment of watching the series first. We rate it a promising 4 out of 5.
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Life in One Chord (2025)
For audiences steeped in the history of Flying Nun, post-punk, and underground New Zealand music, the film is a treasure trove. It is filled with stories, songs, and footage that resonate deeply with those who lived through or later discovered that world. For others...it may feel niche. This is not a film designed to convert casual listeners, it is one made for those who already care. We rate it a promising 3 out of 5.
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Splitsville (2025)
Splitsville offers a comedy that is not afraid to wrestle, literally and figuratively, with jealousy, desire, and friendship. It may be chaotic, uneven, and even predictable, but it is also warm, funny, and surprisingly heartfelt. We give it solid 4 out of 5!
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Caught Stealing (2025)
Its blend of action, eccentric encounters, and dark humour makes it a memorable entry in modern crime-thriller cinema. Hank Thompson may not be the most likeable hero at first, but [...] With Kravitz’s strong performance and a lively supporting cast, Caught Stealing is a fast, violent, and fun story set in the chaotic heart of New York’s criminal underworld. We give it a promising 3 out of 5.
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The Naked Gun (2025)
All in all, The Naked Gun delivers a mixed bag of comedy. Some gags hit hard. Others are total misses. But the sheer volume of jokes ensures there is never a dull moment. For anyone willing to turn off their brain and embrace the absurdity, there is plenty of fun to be had. It is not refined, and it certainly isn’t consistent, but it is undeniably entertaining. A solid 4 out of 5!
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Jurassic World: Rebirth (2025)
Jurassic World: Rebirth is all spectacle, no soul. Despite Gareth Edwards’ stunning visuals and a few strong creature moments, the film sidelines its dinosaurs, leans on thin characters, and splits its focus between two undercooked plots. With unlikeable leads, recycled franchise beats, and action that lacks emotional stakes, it looks like Jurassic Park but never recaptures its awe or danger.
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M3GAN 2.0 (2025)
M3GAN 2.0 trades slow-burn horror for glossy sci‑fi chaos, turning its killer doll into a quippy action anti‑hero. The AMELIA storyline brings big set pieces and campy doll‑versus‑doll battles, but thinner characters and uneven tone keep it from hitting as hard as the original. Still, it’s slick, silly, and crowd‑pleasing; a sequel that knows it’s here to entertain, not terrify.
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28 Years Later (2025)
28 Years Later is a bleak, poetic continuation. A story less about the infected and more about what survives inside the people left behind. Boyle blends ferocity with quiet reflection as a boy comes of age in a ruined Scotland, confronting new mutations, old myths, and the fragile hope of something better. A brutal, contemplative journey about memory, identity, and the thin thread of humanity that refuses to die.
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Together (2025)
Together is a clever, unsettling blend of relationship drama and body horror that lands its emotional beats more effectively than its scares. While the final act stumbles with over-explanation, the film’s slow, uncomfortable tension and sharp performances make it a compelling watch. We give it a solid 4 out of 5!
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Superman (2025)
James Gunn’s new Superman aims for a more grounded, human take on the hero, less spectacle, more heart, but the execution doesn’t quite land. Despite strong turns from Edi Gathegi and Nicholas Hoult, the film struggles with flat character dynamics, cartoonish villains, uneven humour, and CGI-heavy action that undercuts the emotional stakes.
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Click the Link Below (2025)
Click the Link Below follows filmmaker Audun Amundsen as he buys into the world of online “contrepreneurs,” paying US$7,500 for a mentorship that never quite proves its worth. The doc peeks behind the hype and hustle with rare access and quiet unease, but its gentle approach stops it from landing a real critique. Insightful, revealing, and frustratingly cautious.
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A Quiet Love (2025)
A Quiet Love follows three Deaf couples across generations in Ireland’s first ISL feature film: a tender, beautifully crafted portrait of love, identity, and resilience within the Deaf community. Directed by Garry Keane, it blends intimate storytelling with thoughtful subtitles and an immersive Deaf-led soundscape, offering a rare, deeply human window into Deaf life.
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Food Delivery: Fresh from the West Philippine Sea (2025)
Food Delivery: Fresh from the West Philippine Sea is a tense, human‑centred documentary that follows Filipino fishermen and Coast Guard personnel risking their lives near Scarborough Shoal. Told entirely from the Filipino perspective, it captures quiet heroism, fear, and resilience as small wooden boats face off against far stronger forces.
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Pōneke Classical Sessions (2025)
Pōneke Classical Sessions is a vibrant short documentary about Wellington musicians reshaping classical music; breaking from its colonial, elitist traditions and rebuilding it as something inclusive, playful, and community‑driven. Through candid interviews and live sessions in unconventional venues, it shows a new generation reclaiming the genre with experimentation, honesty, and heart.
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Wildboy (2025)
Wildboy follows Brando, a young Kiwi adventurer driven by ADHD and a hunger for purpose, as he tackles epic solo journeys; from walking Aotearoa’s entire coastline to crossing Greenland and cycling the Australian outback. Stunningly shot and emotionally open, the film captures both the beauty and the brutality of long‑distance exploration, revealing how endurance becomes a path to identity, mental health, and self‑discovery.
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Os Barcos (2025)
Os Barcos is a slow-burning, quietly powerful portrait of Gamboa, a Brazilian favela caught between viral tourism and everyday survival. Without narration or commentary, it watches locals cook, fish, build, and fight for dignity as influencers flock to a rooftop restaurant that masks deep inequality. As the Iemanjá festival nears, the community’s resilience, pride, and struggle against rising tensions come sharply into focus.
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