Project Hail Mary is a sci-fi adventure with genuine heart. It is slow in places and occasionally clunky, but it is also warm, funny, visually striking, and anchored by one of the most charming interspecies friendships ever put on screen. We rate it an endearing 4 out of 5!

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Nirvana, The Band, The Show, The Movie has delivered something rare. It is a film that feels completely unhinged yet strangely sincere. It celebrates creativity, friendship, and the blurry line between performance and reality. Fans of the series will find it a loving continuation of everything they enjoyed. Newcomers will be swept up in its unpredictable charm. We give it a heartwarming 4 out of 5!

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No Tears on the Field is a celebration of women who refuse to be defined by limitation...Beautifully shot and full of heart, it offers a moving glimpse into the lives of women who play not for fame or recognition but for connection, belonging and the simple joy of the game. We rate it a heartwarming 3 out of 5!

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Laxe has created a film that is difficult, frustrating, and unforgettable. It lingers not because of what happens, but because of how it feels. Sirāt is a reminder that some stories are not meant to guide you. They are meant to leave you wandering long after the credits fade. We rate it a confronting 5 out of 5!

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Keoghan’s performance in particular gives the #Crime101 a jolt of unpredictability that prevents it from feeling too safe. Layton’s direction is steady, and the adaptation captures the broad strokes of Winslow’s story even if it does not fully embrace the moral complexity that makes his work so compelling. We give it a competent 3 out of 5!

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No Other Choice is a film that rewards patience but demands tolerance for discomfort. It is visually inventive, thematically rich, and anchored by a magnetic central performance. Its refusal to settle into a single tone, combined with its deliberate pacing, makes it a polarizing experience. We rate it a disconcerting 4 out of 5!

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It Was Just an Accident is a film that lingers not because it delivers a tidy conclusion, but because it refuses to. It’s a quiet, stripped‑back work that leans into uncertainty, letting tension build in the pauses and unfinished thoughts. (...) it sits with discomfort and trusts the audience to sit with it too. We rate it a tense 4 out of 5!

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At its core, Deeper feels like a personal tribute from Harris to the pursuit that shaped his life. It is a reflection on a hobby that grew into a calling and eventually propelled him into global recognition after the Thai cave rescue(...) It is informative and often compelling, although it does not always deliver the level of tension or scientific detail that some viewers may hope for. We rate it a solid 3 out of 5.

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By the time the credits roll, The Bone Temple has reshaped the franchise. It is not larger in scope. It is deeper in spirit. It digs into the infected, into language, into belief, and into the strange ways people rebuild meaning after the world ends. It is messy, uneven, and occasionally baffling. We give it a 4 out of 5 for creativity!

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Anaconda (2025) is a movie that shows up, makes you laugh, surprises you with a bit of heart, and then bows out gracefully. It’s a film that’s proudly here for a good time, not a long time; and sometimes, that’s exactly what you want. We rate it a solid 4 out of 5!

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Sentimental Value is a film that lingers. It is not perfect, nor is it easy to summarize, but it resonates through its performances and its exploration of intergenerational trauma. Trier has crafted a drama that is both intimate and expansive, rooted in the wounds of personal history yet open to the possibility of growth. We rate it a persistent 4 out of 5

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The first episodes deliver a strong start. They honour the legacy of Fallout: New Vegas while carving out new narrative space, with compelling performances, immersive design, and thematic depth. Most importantly, they capture the paradox at the heart of Fallout; a world ravaged by apocalypse yet still teeming with humour, hope, and resilience. For fans who have waited two years, the return is more than worth it. We rate it a convincing 5 out of 5!

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The SpongeBob Movie: Search for SquarePants delivers exactly what you’d expect: bright colors, silly jokes, and SpongeBob’s trademark optimism. It’s fun, wacky, and over-the-top, but narratively it doesn’t bring anything new to the table. For kids under ten (or adults who are kids at heart) it’s a delight. For longtime fans hoping for something inventive, it may feel like déjà vu. We rate it a strong 3 out of 5!

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Leaving the theater after Die My Love is not like leaving most films. There is no chatter, no laughter, no easy debrief. There is silence. The audience sits with what they have seen, grappling with its weight. It is not a film that entertains, but one that confronts. And in that confrontation lies its power. We rate it a strong 3 out of 5!

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Wright’s The Running Man is slick, fast, and visually sharp, with Glen Powell powering a tense dystopian chase. The action hits, the world‑building lands, and Colman Domingo shines, but thin themes, wasted side characters, and a messy final act keep it from greatness. Big spectacle, lighter substance.

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Despite its flaws, Shelby Oaks is a well-made film. The cinematography is strong, the sound design effective, and the performances solid. Sullivan carries the film with quiet determination, and Sarah Durn’s Riley is charismatic enough to make her absence haunting. There’s charm in the film’s ambition, even when it overreaches. We rate it a promising 4 out of 5.

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There’s something quietly brilliant about Bloke of the Apocalypse. It’s not loud, it’s not polished, and it’s certainly not trying to be the next big thing. But in its own understated way, it’s one of the most distinctive animated projects to come out of Aotearoa in recent memory. We give it an ambitious 3 out of 5!

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Chainsaw Man – The Movie: Reze Arc is simply a film of two halves. The first is a slow-burning romance that builds emotional stakes. The second is a chaotic descent into violence that shatters those stakes with explosive force. It’s a bold experiment in tonal contrast, but not always a successful one. We rate it a daring 3 out of 5!

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A vicious, tightly wound survival shocker that traps you on a boat with a heroine worth fighting for and a villain you can’t look away from. Harrison is fierce, Courtney is unhinged, and the film blends captivity horror with shark‑terror chaos in a way that’s bloody, claustrophobic, and wildly entertaining. A lean, nasty genre ride that knows exactly what it’s doing and revels in every sharp‑toothed moment.

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The Conjuring: Last Rites closes the Warren saga with more heart than horror. It delivers emotional payoff for Ed, Lorraine, and Judy, but the scares feel familiar, the tone wobbles between spooky and sentimental, and the two‑plot structure never fully gels. Strong performances keep it grounded, yet as a finale it plays more like a gentle farewell than a terrifying send‑off.

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